国产人人色I色婷婷综合久久中文字幕雪峰I奇米色777欧美一区二区I久热久热aV爽青青在线I国产av喷水I国产伦精品一区二区三区免.费I高潮av在线Iww欧美一级I91天天看I黄a在线91I九一无码中文字幕久久无码色…I丰满国产精品视频二区

Make me your Homepage
left corner left corner
China Daily Website

Darkness' bright side

Updated: 2012-12-11 09:53
By Liu Wei (China Daily)

Darkness' bright side

Back to 1942, Liu's latest project with celebrated director Feng Xiaogang, grossed $32 million within the first week.

Liu recently published a book that includes the original novella and the film's script.

"The book shows how something seemingly un-filmable became a film," the author says.

Darkness' bright side

Liu's novella is more like an investigative report than a story. There's no protagonist or central plotline. The work instead comprises sketches of six different groups of people during the War of Resistance against Japanese Aggression (1937-45).

Related: A true picture of turning Liu's fantastic fiction into Feng's film

Millions of famine refugees trekked from Henan to Shaanxi in 1942, as the Kuomintang government allied with the United States to fight the Japanese.

Time magazine reporter Theodore Harold White witnessed and documented the refugees' plight, while foreign missionaries preached to the starving.

It's virtually unheard of to base a film on six groups of people who barely interact.

Liu recalls few of the experts he and Feng visited in 2002 believed it was possible to adapt the book to film.

Liu later squatted beneath a tree and told Feng: "People are used to doing easy things. But difficult endeavors require much more."

Liu insisted all six groups appear in the film because - beyond such surface causes as locusts and drought - people were the tragedy's source.

"Politicians, the national army and the Japanese invaders all manipulated the natural disaster for their own interests, despite the sufferings of millions of ordinary people," he says.

As "dumb people, who don't take shortcuts", the two started a three-month journey through Henan, Shaanxi, Chongqing and Cairo - the places their characters trek.

They were inspired by what they felt and observed.

The duo felt too tired to keep talking, despite having full stomachs and no luggage.

"Think about the refugees, who practically carried their homes on their backs in extreme hunger. They wouldn't talk much," Liu says.

"So the film's dialogues are very short."

 
 
...
...